Latest News

  • National Devised Theatre Program Prompt Is Here!
    It’s time to celebrate! The National Devised Theatre Program prompt has been announced! Are you ready? Here it comes….. “This Is The Country We Want” Does that stir something inside of you? Does it inspire the desire […]
  • Production Registrations Are Here!
    So what are you waiting for? Huzzah! We are excited to announce that production registration is OPEN for fall 2020 and spring 2021! And to make it even more exciting, KCACTF had opted to waive production registration […]
  • Production Registrations For Fall 2020
    Hello Region IV! As we approach the start of our fall semesters, many of us are starting to look at fall semester productions. KCACTF will be accepting production registrations for consideration for the 2021 festival season. With […]


We pledge our resources to do our part to aid in the effort to dismantle institutional racism and the inequities that have contributed to the divide that exists in our country. We believe the call for action is critical at this time.

In August of 2019, KCACTF implemented the RED (Representation, Equity, Diversity Initiative with a National RED Chair office and Regional RED chairs in all of our eight KCACTF regions.

The RED Chairs are at this moment at work to create an action plan for our organization. We are committed to being part of the change. Look for additional information coming from our RED leaders in the next few weeks.

We envision a world where the arts can offer healing, understanding, empathy, but above all can tell all of our stories. KCACTF is determined to create safe and equitable spaces where every person’s story is heard and honored!

We are listening. We invite our theatre faculty, staff, and students across the nation to join us in the anti-racist work of interrogating ourselves, our institutions, and systems in order to secure justice for all.

National Committee of KCACTF
National Office of KCACTF

KCACTF Region IV and The Times we live in.

Dear Friends and Colleagues of KCACTF Region IV,

We are certainly living in interesting times. I am sure many of you are feeling the same way I am about the uncertainty of what lies ahead for our students, our programs, our colleges and universities. In conversation with my students I continue to remind them of our history as an art form – governments, religions, and plagues have tried to shut the doors of theatres, cancel the act of storytelling, stifle the power of performance virtually since the first storyteller appeared. And yet we survive. Sometimes we change costume behind the curtain and reappear in a new form, but we survive.

Right now is a time of pause, I am sure many of you are reading, thinking, and creating in this time. For all of us the question of best practices for our students have been foremost in our thoughts. The leadership of KCACTF, both our regional team and the national team, have been in meetings and discussions about how best we as an organization support you; the students and faculty who are this organization.

Please contact me, Lisa L. Abbott at with any questions or concerns.

In the interests of the safety of our students and faculty, the National Leadership team has issued the following statement:

Dear KCACTF Community,

The National Committee of KCACTF recognizes that we are all finding it difficult to make definitive plans. Questions about safety and community abound. Decisions about the fall from our campus leaders vary and many of us are being told to prepare for a variety of possibilities. With production status in flux, we wonder how KCACTF can continue to be a robust part of your programs. Your national and regional leadership teams have been meeting regularly to discuss the safest and most rewarding ways to move forward in light of the COVID19 crisis.

In these moments, it is helpful to revisit the mission and goals of our organization:

The Kennedy Center American College Theater Festival (KCACTF) is a national organization that exists to celebrate the educational and creative process of university and college theatre. KCACTF promotes professional standards and provides students and faculty with opportunities to bridge the academic and professional worlds. KCACTF honors achievements in diversity and excellence and encourages experiences in all areas of theatre.

The goals of KCACTF are:

• To encourage, recognize and celebrate the finest and most diverse work produced in university and college theatre programs;
• To provide opportunities for participants to develop their theater skills and insights;
• To improve the quality of college and university theater in America.

These are our guiding principles in every discussion. It is our belief that new and innovative theatre forms will emerge from our current situation. Theatre will endure. By responding to the call to reimagine what theatre can be, we can make some choices that are proactive rather than reactive. KCACTF will retain its mission and goals while boldly visioning a response to our current circumstances.

Therefore, the KCACTF National Committee has made the following decisions:

1. We will continue to uphold the mission and goals of KCACTF by celebrating and fostering the finest student work.
2. There will be no in-person regional festivals in 2021. Each region is exploring alternative ways to celebrate and engage our students, faculty, and staff. We will invite our student leaders to be an important voice in our next steps.
3. In-person production responses are suspended for the remainder of 2020, however we support and encourage alternate ideas for remote responses. These details are being discussed.
4. We will waive all production entry fees for the fall of 2020. Schools that have already submitted payment from spring 2020 entries that did not have a response due to cancelling or postponing of the production may either count those fees toward a future production, donate the payment, or request a refund by contacting the Regional Chair.

We are expecting that exciting work will occur this fall, and it will be recognized and celebrated. We are envisioning a new process for registering, responding, and recognizing productions and student work. Opportunities for faculty/staff input on these new procedures will be coming soon. We realize that this crisis continues to impact us all, some more than others, and we grieve the loss of life and in-person time with our students. We know that you have been stretched to provide the best experiences possible for your students with little time to prepare or conceive new methods of delivery. We see you, and we want to be a support and a source of hope. We are here to say that CREATIVITY is not cancelled! Let’s not restrict our imaginations with a structure that doesn’t fit our current situation. KCACTF is committed to being your partner through this time. We look forward to supporting and celebrating the new theatre emerging from you and all of your students.

Be safe, be well, and let your creativity soar,

KCACTF National Committee

National Office of KCACTF

The goals of the Kennedy Center American College Theatre Festival are:

to encourage, recognize, and celebrate the finest and most diverse work produced in university and college theatre programs.

to provide opportunities for participants to develop their theater skills and insight, and achieve professionalism.

to improve the quality of college and university theater in America.

to encourage colleges and universities to give distinguished productions of new plays, especially those written by students, the classics, revitalized or newly conceived, and experimental works.

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KCACTF Diversity Statement

Diversity in thoughts and ideas are the backbone of artistic creation. Often it is the clash or juxtaposition or reexamination of the “tried and true” that makes for exciting and new artistic creation. A diversity of thought and perspective makes our organization stronger and more relevant. And the sharing of these diverse perspectives is central to our educational mission. Therefore, diversity should be essential and integral to our approach. Educational excellence that truly incorporates diversity thus can promote mutual respect and make possible the full, effective use of the talents and abilities of all to foster innovation and train future artistic leadership in American theater.

Therefore, the Kennedy Center American College Theater Festival affirms its commitment to being inclusive and respectful in all aspects of its programming, and regional and national leadership. We vow to nurture talent in all areas of theater based on merit and achievement, regardless of economic or social status and will not discriminate on the basis of race, color, ethnic origin, national origin, creed, religion, political belief, sex, gender, gender identity, weight, physical or mental disability, marital status, or age. Respondents are encouraged to avoid discriminatory comments that deride artistic choices based on any of the aforementioned areas. Instead, choices that “break tradition” should be discussed in a respectful and collegial way that challenges long-held practices and beliefs and encourages further exploration, leading to more dramatic and long lasting discoveries.

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